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B21EG01DC - INTRODUCTION TO LITERATURE B3 (Q&A)

BLOCK-3

MAJOR PERIODS OF LITERATURE -2

UNIT-1

THE ROMANTIC AGE


OBJECTIVE QUESTIONS


1. Which literary period came before the romantic age?

Ans. The neo classical age

2. Who published Lyrical Ballads?.

Ans. William Wordsworth and Samuel tailor Coleridge

3. Whose works set the stage for the romantic poets?

Ans. Pre- romantics

4. What was the primary subject of romantic literature?

Ans. Nature

5. Why did poetry become a dominant genre in the romantic period?

Ans. Poetry was considered to be closer to emotional expression

6. Who are the Lake poets?

Ans. Wordsworth Coleridge and Southey

7. How did Wordsworth transform poetic language?

Ans. Why writing about everyday teams in the language of common folks

8. What is the name of Coleridge's critical treatise?

Ans. Biographia literaria

9. Which romantic poet is famous for powerful imagery and revolutionary zeal?

Ans. P.B. Shelly

10. What is the title of Byron's satirical response?

Ans. English bards and scotch reviewers

11. Which artistic concept did Keats explore?

Ans. Negative capability

12. Who are the important romantic prose-writers?

Ans. Lamp,Hazlitt and de quincy

13. Which style of novel focuses on terror and mysteries?

Ans. Gothic novels

14. What is the difference between the themes of Austen and Scott?

Ans. Austen and scott wrote domestic and historical fiction respectively

15. What kind of drama is The Cenci?

Ans. Closet drama


QUESTION ANSWERS


1. Write a short note on the salient features of romanticism in English literature?

Ans.(1) a reaction against neoclassicism

In the poem "Endymion", John Keats writes,

"A thing of beauty is a joy forever." The poem

refers to the delight brought on by the sight

of a beautiful object. Note the simplicity of

the language used. The focus is on an incident

taken from everyday life. This is an example

of the way that Romantic literature resisted

the neoclassical style of writing. Romanticism rejected the new classical emphasis on rules, order and convention. Instead of

the more lavish diction and themes favoured

by the neoclassical writers, the Romantic

writers turned their attention to common life.

More importance was given to spontaneity

and originality than to the imitation of classi

cal literature. Inspired by the message of the

French revolution, the Romantic movement

also leaned towards high idealism.


(ii) Emphasis on Imagination

The poem "Kubla Khan" opens with the fol-

lowing lines: "In Xanadu did Kubla Khan/A

stately pleasure-dome decree." Samuel Taylor

Coleridge composed it, based on an opium-in-

fluenced dream that he saw. The poem uses

fantasy and supernatural elements to great ef-

fect.

This illustrates the role of imagination in the

works of Romantic writers. They considered

imagination to be a powerful tool of the hu-

man mind. Often, it was defined as the op-

posite of intellect, which was celebrated in

neoclassical writings. The critical writings of

Wordsworth, Coleridge and Shelley, to name

a few, discussed the power of the imagination

to 'create' and 'shape' reality.

its north-


(iii) Representation of Nature

Walter Scott describes the beauty of the Scot-

tish landscapes in his novel Rob Roy, "But cer-

tainly this noble lake, boasting innumerable

beautiful islands, of every varying form and

outline which fancy can frame,

ern extremity narrowing until it is lost among

dusky and retreating mountains,

while,

gradually widening as it extends southward,

it spreads its base around the indentures and

promontories of a fair and fertile land, affords

one of the most surprising, beautiful, and sub-

lime spectacles in nature..."

The romantic writers paid great attention tothe representation of nature in their works.

Since they were writing during a period of

heavy industrialisation, the writers of the age

stressed the need for returning 'back to nature'.

Nature was presented as a source of spiritual

renewal in their works. Accurate descriptions

of natural phenomena, natural beauty and the

appeal of nature to the senses are important

aspects in Romantic literature.


(iv) Significance of Emotion

William Wordsworth famously defined po-

etry as the "spontaneous overflow of power-

ful feelings: it takes its origin from emotion

recollected in tranquillity." As seen here, the

Romantic movement placed emotions as a vi-

tal part of literature. Feelings, intuitions and

impulses were celebrated in the works of the

Romantic authors. The literature of the period

came to be associated with expressing indi-

viduality and selfhood.


(v) Individuality

The unique, irrational and emotional per-

spectives of the 'individual' is crucial in the

romantic movement. It provided a variety

of subject matter. Further, romanticism also

viewed the artist or writer as an 'individual'

creator, whose output reflected his or her per-

sonality and mental state.


(vi) The Everyday and the Exotic

John Keats' poem "Ode to a Nightingale"

shares the speaker's experience of listening to

the beautiful song of a nightingale. The com-

mon, everyday incident is transformed into an

exotic one.

This is a case in point of the tendency of the

Romantic writers to intermix happenings

from common life with fantasy and mystery.

This technique allowed them to transform the

subject of their writings, often taken from ev-

eryday life, in a way that enriches their liter-

ary appeal.


(vii) Supernatural Elements

The supernatural and the occult were fre-

quently used in Romantic literature. Many

authors of the period presented elements that

seemed to exist outside the natural. For in-

stance, Lord Byron's poem "Darkness" has

a mysterious setting where "...the bright sun

was extinguished...

Romantic literature often contained stories

taken from supernatural and mythical sourc-

es. The imagery and symbols used in Roman-

tic poetry, too, displayed the same inspiration.

Castles, dark forests, magical beings, mysti-

cal visions and dreams would appear in these

works. These elements often provided a way

of exploring abstract, unexplainable ideas.


2. Explore the role of the lake poets in the history of romantic literature?

Ans.Robert Southey (1774-1843), a close associ-

ate of Wordsworth and Coleridge, composed

poems in the romantic style, such as "Thalaba

the Destroyer", "Madoc", "The Curse of Ke-

hama" and "Roderick the Last of the Goths".

He drew heavily from mythological and su-

pernatural sources for his works. A few of his

best-known short poems include, "The Schol-

ar", "Auld Cloots", "The Well of St. Keyne",

"The Inchcape Rock" and "Lodore". He was

made poet laureate in 1813.

Together with Wordsworth and Coleridge,Southey made up a trio of 'lake poets', so

named for their residence in the Lake District.

It must be noted that, even though all these

poets were initially inspired by the French

revolution, all of them would later condemn

the violence and terror unleashed during its

course. Rather than liberalism, their political

philosophies would shift towards conserva-

tive values.


UNIT-2

THE VICTORIAN PERIOD


OBJECTIVE QUESTIONS


1. Who ruled England during the Victorian Age?

Ans. Queen Victoria

2. What is the general time period of the Victorian Age

Ans. 1832 to 1901

3. Which class emerged as powerful during the Victorian Era?

Ans. Middle class

4. Which form of literature was considered important during this period?

Ans. Prose

5. What did Victorian writers consider to be the purpose of literature?

Ans. Both education and entertainment

6. What is the literary attempt to portray reality as it is, called?

Ans. Realism

7. What were women encouraged to be in Victorian society?

Ans. Angels in the home

8. Which poet shows a combination of reason and spirituality?

Ans. Lord Tennyson

9. Whose poems use 'dramatic monologue'?

Ans. Robert browning

10. What ideals did Arnold want to bring back?

Ans. Neoclassical ideals

11. Who are the two significant minor poets of the age?

Ans. Elizabeth barret Browning and arthor hugh clough

12. Why were the Pre-Raphaelite poets called the 'Fleshly school of poetry'?

Ans. There focus on realistic sensual depictions

13. Who wrote the work Nicholas Nickleby?

Ans. Charles Dickens

14. Who were the focus of Thackeray's novels?

Ans. Upper class society

15. What was the real name of George Eliot?

Ans. Mery Anne Evans


QUESTIONS AND ANSWERS


1. Why was the period known as the age of prose

Ans.(a)Moral Purpose

Victorian literature aimed to provide a moral

education to the readers. This was because of

the social and religious controversies of the

time. Further, the Victorian writers also want-

ed to move away from the romantic way of

'entertaining' with literature.

(b) Focus on Practical Aspects of Life

In Oliver Twist, written by Charles Dickens,

the nine-year old Oliver is forced into labour at

a workhouse. The residents of the workhouse

are given very little food in return for their

labour. One day, an extremely hungry Oliver

goes up to the master who is serving food, and

says: "Please sir, I want some more." For this

'crime', he is beaten and scolded soundly.

This is an example of the Victorian focus on

the practical problems and interests of life.

The various literary works of the time promi-

nently represented experiences of industriali-

sation, poverty, class division, women's rights

and other social issues. This also represents

a shift away from the philosophical focus of

Romanticism.


(c)Realism

The Victorian novelist George Eliot (Mary

Ann Evans) suggested that truth and beauty t

can be found only through the humble and

truthful observation of the world around. In 1

her works of fiction, she presents the imper- 1

fections and moral failures of her characters.

In doing so, she tries not to exaggerate or ide-

alise reality.

This is a feature of the Victorian era, where

there was an attempt to mirror reality in litera-

ture. They rejected the idealisation or over-dra-

matisation of people, events or philosophies.

Instead, the emphasis was on reflecting the

world as it is.

(d)Crisis of Faith

In the poem "Dover Beach", written by Mat-

thew Amold, "The Sea of Faith" was initially

full and had covered the earth. The poet goes

on to say that now he can only hear "Its mel-

ancholy, long, withdrawing roar..."

This theme of the decreasing influence of

faith and religion is repeated in many signif-

icant Victorian works. It can be viewed as a

reaction to the rising importance of science in

society. There was a sense of doubt and pessi-

mism about the progress of science and tech-

nology which is reflected in several writings

of the period.

(e)Victorian Compromise

The Victorian period was an age of 'com-

promise' between different or conflicting as-

pects. On the one hand, there was a struggle

to maintain religion in the face of scientific

advancements. On the other hand, there was

a tendency to strictly follow social and cul-

tural conventions even as new reforms were

being introduced. Similarly, industrialisation

seemed to be increasing social ills just as

much as it brought prosperity.


2. Write a short essay detailing the literary features of the Victorian era?

Ans.Victorian prose carried the main features of

the age, such as moralism, realism and a shift

towards empiricism. However, the prose-writ-

ers of the age showed great originality in deal-

ing with characteristic themes, such as devel-

opment of science, geographical exploration

and economic change. Their works show a

great variety of styles, displaying seriousness

of tone and particularity. All the great prose

writers of the period appear to have these

qualities in common.

The dominant prose writer of the period was

Thomas Carlyle (1795-1881). He has record-

ed his personal struggle between doubt and

belief, a feature of the Victorian age, in the

work Sartor Resartus. His other important

contributions include French Revolution, On

Heroes, Hero-Worship, and the Heroic in His-

tory, Past and Present, Letters and Speeches

of Oliver Cromwell, Latter-day Pamphlets,

The Life of John Sterling and The History of

Frederick the Great.

To him, the purpose of prose was to root out

moral weakness and social ills. Elements of

modern life, such as materialism, empiricism,

and utilitarianism were rejected by him in fa-

vour of spirituality. His works make use of

certain techniques, such as the dropping of

certain parts of speech, converting nouns to

verbs, use of foreign words and literal En-

glish translation of foreign words. His style is

unique in English literature.

Another important name in prose literature is

John Ruskin (1819-1900). He gained fame as

an art-critic and social thinker during the age.

As a writer, he employed various literary forms

including poetry, treatises, a travelling guide

and letters. But it is the subject of his essaysthat are significant to us. They were diverse

and ranged from literature, education, myth,

architecture and botany to political economy.

One of his chief areas of interest was the con-

nection between art, nature and society.


UNIT-3

MODERN PERIOD


OBJECTIVE QUESTIONS


1. What is the chief mood of the modern period?

Ans. Rebellious

2. Why did traditional values start to fail?

Ans. Because of the two world wars

3. Which three modernist works were published in 1922?

Ans. Ulysses, the waste land and jacobs room

4. Which form of literature was considered important during this period?

Ans. Noval

5. Which artistic technique uses perception as the basis for reality?

Ans. Impressionism

6. What is symbolism?

Ans. Yusuf symbols to convey individual perspective or motion

7. Who wrote novels such as The Turn of the Screw and Daisy Miller?

Ans. Henry James

8. What did Conrad establish in the modern novel?

Ans. Psychological realism

9. Why was D.H. Lawrence's novels considered obscene?

Ans. Because of there Frank depiction of relationship and sex

10. Which technique is used by both James Joyce and Virginia Woolf?

Ans. Stream of consciousness

11. Who were the Trench poets?

Ans. French poets were poets who wrote about experience of World War 1

12. Which poet discussed god, nature and humankind?

Ans. Gerard manley Hopkins

13. Who were the two prominent modernist poets?

Ans. W. B. yeats and T. S. Eliot

14. Whose plays use Irish folklore?

Ans. J. M. synge

15. What does the plays of Beckett and Ionesco discuss?

Ans. Absurdity or meaninglessness of human life


QUESTIONS ANSWERS


1.what is the features of modern period?

Ans.(a). Strong and intentional break from

tradition

Modernism highlighted a movement away

from traditional and accepted literary styles

and themes.

(b)A new emphasis on subjectivity

The focus of modern literature was on how we

see things as opposed to what we see. There

was also a concern with the psychological life

of individuals.

(c) Rejection of objectivity

Modern literature moved away from objective

positions or the idea of an absolute truth.

(d) Blurring of boundaries between

genres

Established literary rules and classifications

were broken. For instance, novels may be

written in a lyrical style or poems may take on

a prose-form in modernist writings.

(E)Fragmented Forms

Modern literature used broken or fragmented

styles of writing to convey the disturbing ex-

perience of modern life. Narratives were often

non-linear or discontinuous, with unstable or

untruthful narrators.

(f) Reflexivity

Modern works of literature often commented

on their own nature as a poem, play or fiction.

(G)Experimentation

The literature of the period encouraged exper-

imentation in themes, writing style and form

2.what is symbolism?

ans.Symbolism is a movement that tried to expressindividual emotions using symbols, whetherin art or literature. In literature, this was seen in the works of French poets Baudelaire and Mallarme who inspired modernist writers In English.


3.what imagism

ans.Imagism is a movement that included English

and American poets who believed in using the

'exact word' to describe the subject of their

poetry. They would present the subject direct-

ly and would not use any word that did not

contribute to their description. The poems did

not follow any rhyme or metre.


4. what is stream of consciousness?

Stream of Consciousness' is a narrative tech-

nique in which the individual's point of view

is portrayed. This is usually done either as

an internal monologue or as a description of

the character's internal state. The subject's

thought-processes are revealed as they are

overheard in that person's mind or addressed

to themselves.


UNIT-4

POSTMODERN PERIOD


OBJECTIVE QUESTIONS


1. What precedes postmodernism?

Ans.modernism

2. What is celebrated in postmodernism?

Ans. Loss of faith and order

3. Which Argentinian writer influenced postmodernism?

Ans. Jorge luis Borges

4. Which sub-genre of fiction gained popularity in the postwar era?

Ans. Science fiction

5. Who wrote the novel The Power and the Glory?

Ans. Graham greene

6. Which postwar British novelist explores the human instinct to destroy that which is good?

Ans. William Golding

7. What has Orwell contributed to the English language?

Ans. Neologisms

8. What is the name of the heroine in The French Lieutenant's Woman?

Ans. Sarah woodruff

9. Who is the narrator of Waterland?

Ans. A history teacher

10. Which historical event is used as a backdrop in Atonement?

Ans.world war 2

11. What elements are intermixed in magic realism?

Ans. Magic /fantasy and realism

12. Who published The Death of a Naturalist?

Ans. Seamus heaney

13. Which British poet uses a wide variety of styles?

Ans .George Macbeth

14. Which movement was A.Mitchell part of?

Ans.'underground poetry '

15. Where did the Liverpool poets present their poetry?

Ans. In clubs and coffee bar


QUESTIONS AND ANSWERS


1.what is the certain common threads in the post modernism

Ans.(a)Liberation

Postmodernism

from authority

celebrates liberation from an

age when faith and authority were intact.

(b)Fragmentation

fragmentation

Postmodernist literature moves towards

in all aspects of literature. To

achieve this effect, it uses collage-style forms,

non-linear use of time, and significant jumps

in character and place.

(c)Embrace of randomness

In the absence of absolute or universal mean-

ing and truth, postmodernist works use ran-

domness and disorder.

(d)Playfulness

Postmodern literary works use techniques,

such as black humour, wordplay, pun and iro--

ny to create layered narratives.

(e) Intertextuality

Postmodernists borrowed from previous literary and cultural texts to present interconnected meanings.

(f) Pastiche

Postmodernist works often put together dif-

ferent types of literature and texts to create a

pastiche or a new style made from the mixing

of different existing types.

(g) Metafiction

Postmodern literature emphasised the literary

nature of the text, bringing in commentary on

the constructedness of the work. This tenden-

cy of a work to refer to its own fictional nature

is known as metafiction.

(h)Open to multiple interpretations

Postmodern works often do not directly con-

vey meanings. Rather, they are ambiguous

and open to several interpretations.




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